Last week I attended a talk, hosted by the Balsall Heath Local History Society, by Maggie Cotton about her career as the UK’s first female percussionist in a professional orchestra. It bore the same title as her autobiography, ‘Wrong Sex, Wrong Instrument,’ which was the reason she was given, age 19, for being refused a grant to study at the Royal Academy of Music.
The talk was, as you can imagine, fascinating in many dimensions. My main focus in blogging about it is going to be the dimension of music and gender – unsurprisingly, given my interests as a musicologist all these years. But one of the striking things about the talk, notwithstanding its title, was how little gender obtruded into the stories. Most of the time it was a collection of tales from a percussionist, about her travels, about the instruments, about the conductors, composers and fellow players she had worked with.