About Me
Liz Garnett is a musicologist, choral clinician and close-harmony arranger with a particular interest - both theoretical and practical - in the relationship between music and social values.
Liz studied music at the Universities of Bristol (BA Hons, 1st class) and Southampton (PhD, 1995). She then taught at Colchester Institute’s School of Music and Performance Arts for four years, before moving to Birmingham Conservatoire, where she was Head of Postgraduate Studies until 2009. Her teaching experience is varied in subject area, delivery style and level, from lectures in Musical Philosophies to practical workshops on Playing by Ear and one-to-one tutorials in Professional Development for Musicians.
As a student, she studied piano with Christopher Northam (gaining an LRAM in piano teaching) and singing with Glynn Davenport, Duncan Robertson and Molly Petrie. She started conducting as an undergraduate, attending the Choral Conducting course at the Canford Summer School of Music at age 19, then went on to conduct the Southampton University Light Opera Society as a postgraduate.
She became involved in barbershop music after the completion of her PhD, and it became the subject of her first book. She is one of the UK’s most prominent arrangers and performance coaches, having coached and/or arranged for many of the UK's top choruses and quartets, and arranged for groups from the UK, Ireland, the USA, Canada, Germany and Holland. She served as a Music Category judge from 2000-2013, and as LABBS Music Category Director from 2006-2009. As LABBS Chorus Director Development Specialist, she has led the organisation's training for MDs since 2012.
After the completion of the barbershop book, her research and practical interests focused back on conducting, leading to a five-year project that produced her second major book, Choral Conducting and the Construction of Meaning. The research process involved visits to more than 40 choirs in rehearsal, and these observations provided not only material for the book, but also a deep understanding of the conductor-choir dynamic in a wide variety of contexts and styles. This experience continues to nourish her work as a choral clinician, giving rich and varied insights into the problems that conductors and choirs face, and the relative success of different approaches to solving them.
Her activity as a conductor, and teacher of conductors, has both informed and been nourished by her research interests. For 10 years she directed and arranged for a close-harmony choir called Magenta, and from 2018-2023 was Musical Director of the Telfordaires male barbershop chorus. She was appointed MD of Rainbow Voices, the the leading Midlands-based community choir for lesbian, gay, bisexual, trans people and their friends, in 2024.