Amersham A Cappella and Expressive Shape

Published by Liz Garnett at Helping You Harmonise on Saturday 24th January 2015
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amershamWhen people commission an arrangement, sometimes they don’t want me to hear it until they’ve got it performance-ready. Other times, people like to me to come and work with them on it, presumably on the grounds that that way they get a coach who will is guaranteed to have already spent some time thinking about how the music should go. (And actually, that’s a good way of holding me accountable - I write nothing for others to sing that I wouldn’t be prepared to help them with if they needed it.)

Amersham A Cappella took the latter approach with the contest up-tune they have commissioned for this year’s Ladies Association of British Barbershop Singers Convention.* And they got me in right at the start of the process, at the point where everyone basically knew the song, but they hadn’t practised anything into an unbreakable habit yet. So, we could get right in there and build both the overall concept/characterisation, and get some of the expressive details that will bring it alive identified from the get-go.

The Red Queen Effect, and its Emotional Impact

Published by Liz Garnett at Helping You Harmonise on Tuesday 20th January 2015
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redqueenI have written on a number of occasions about that phenomenon whereby people practise/rehearse most diligently, but don’t seem to get significantly better. (Previous posts are here, here and here.) I was thinking about it again recently, having heard a number of conversations in which people were having to deal with emotional fall-out from this experience in the context of a competitive environment.

There were three main elements that struck me about what people were struggling with. Their ensembles had (a) worked their socks off, (b) found themselves with a slightly lower score than the year before, and (c) had been told by their friends that they were sounding better and better. I wanted to stop and reflect on each of these elements, as they form a clear and recognisable pattern that a lot of groups experience.

Tackling the Too-Hard Tray

Published by Liz Garnett at Helping You Harmonise on Friday 16th January 2015
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toohardtrayWe got ready for the new year by considering what my father used to call the ‘too-hard tray’ - that collection of things that we look at, think, ‘eek!’ and get very busy doing something else very useful in the hope that the sense of virtue will drown out the feeling of being daunted. Corralling our demons into a specified place is a good first step to facing them properly, but does not in itself do anything more than acknowledge that they are there.

Sooner or later, that is, you have to do something about the stuff in the too-hard tray.

You may think that my spending time writing this post is itself a displacement activity, and that I am addressing this question rather than getting on with those things which are currently intimidating me. It would be a fair conclusion to draw.

But, in fact, on this occasion I am actually allowing myself the indulgence of doing some writing (something I am not - currently - scared of) as a reward for having made some progress with the too-hard tray earlier this morning. Take that, Demons!

On the Riviera...

Published by Liz Garnett at Helping You Harmonise on Monday 12th January 2015
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Coaching the Music Team under glassCoaching the Music Team under glassSaturday saw me down in Torquay to work with Riviera Sound. I know their founder-director, Chris Bullen, from years back, but hadn’t been down to work with her in the decade since she had started the chorus. So I was delighted at last to get a chance to hear - and work with - her singers.

(One of the things we chatted about over the day was the relative merits of joining umbrella organisations versus remaining independent. It was only as I started writing this that I realised one advantage joining would have had would be that my curiosity would likely have been satisfied before now. Granted, that is an advantage that accrues to me rather than the chorus, but still...)

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