Inclusiveness Versus Diversity

Published by Liz Garnett at Helping You Harmonise on Monday 24th July 2017
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‘Versus?!’ I hear you cry. It’s true that we usually use these two words interchangeably when we talk about opening up our choirs (or our schools or our boardrooms) to attract people from a wider range of demographics than hitherto. But the two words approach the same project from interestingly distinct angles, and once you start thinking through the differences it can affect how you go about that project.

The immediate context for this is the Barbershop Harmony Society’s new strategic vision, which I both praised and critiqued a few weeks back. The topicality is far wider than this, of course, but it was this set of debates that had me thinking about this in a more focused fashion, and coming to the conclusion that, if you want to get ‘Everyone in Harmony’, inclusiveness is a more useful term to focus on than diversity.

Carving Out an Interpretation with Red Rock Harmony

Published by Liz Garnett at Helping You Harmonise on Thursday 20th July 2017
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This shot just gives an inkling of the amazing rehearsal venueThis shot just gives an inkling of the amazing rehearsal venue

After my coaching sessions last week with Strictly A Cappella and Frisson, I headed down to Devon to work with my friends at Red Rock Harmony in Teignmouth. One of the things that is pleasing about repeat visits to a group is to hear how they have improved since you last heard them, and it was lovely to be able to remark on how much more vocally secure they are sounding than last autumn. And this was my third day in a row of groups with pitch integrity. It is a wonderful thing when you can trust the technique and just get on with the music.

For music was our task. The chorus are in the process of learning one of my arrangements, commissioned by another group a couple of years back, but as Red Rock Harmony have joined LABBS since its one and only previous contest performance, they are approaching it as if a brand new chart. My job was to work with them on the delivery, finding the fluidity flow of a barbershop ballad within the black-and-white dots on the page.

Friday Morning Frisson

Published by Liz Garnett at Helping You Harmonise on Sunday 16th July 2017
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FrissonThe morning after my evening with Strictly A Cappella, I had the opportunity to work with a mixed quartet from within the group called Frisson. The morning was fresher than the night before, so maybe one shouldn’t be so impressed to encounter as good an integrity of pitch in the sub-group as in the main ensemble, but it would seem churlish not to mention it.

One of the things that this tonal reliability facilitates is the capacity to drop into songs at (almost) any point, and focus your attention on just that bit you want to work on without a distracting run-up to it. There’s just much less cognitive overhead in finding your place if you share an implicit trust in where your tonal centre is rather than having to listen out for it and adjust to it anew each time you start to sing.

Strictly A Cappella

Published by Liz Garnett at Helping You Harmonise on Wednesday 12th July 2017
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StrictlyI spent a hot and sticky Thursday night down in Radlett with Strictly A Cappella. We were working on bringing out the musical detail in a pleasantly varied range of songs – from Queen, to Duke Ellington, from Diana Ross to gospel. The heat and the closeness of the atmosphere make it all the more impressive to note that this is an ensemble that maintained absolute integrity of tonal centre all evening.

Their rehearsal room is quite small and quite lively, which for many vocal/choral genres can be dangerous – the risk is that people will get used to making a large resonant sound with the help of the walls and ceiling rather than with their own singing technique. But for a moderately large contemporary a cappella group like this, it actually makes their job harder. Much of their music benefits from quite intricate textures, and singing it in a space like that forces everyone to work much harder a keeping it clean and tight, so you don’t lose all the detail in the wash of sound.

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