The Choral Director’s Golden Triangle

Director's Triangle

There’s a useful concept in project management of the Golden Triangle. It is formed by three aspects of any project: Scope (how much it covers), Time (how long it will take to complete), and Resource (both human and physical – what you need to complete it, and therefore how much it will cost).

The point of the triangle is that your plan will quantify all three, but in practice you will probably only be able to control two of them. So, when real life inevitably starts to depart from what you’d planned (inevitably because projects are by definition things you don’t do regularly so inherently subject to unforeseen circumstances), one or other of these three is going to slip.

Preparing for Llangollen with Affinity Show Choir

The obligatory warm-up shot...The obligatory warm-up shot...

Sunday took me up to Stockport to help Affinity Show Choir in their preparations for the Llangollen Interntational Eisteddfod next month. (After all these years, I still take a couple of attempts to figure out where the double d goes.) They are stretching themselves by entering two quite different choral classes, one in which they can showcase their usual diet of a cappella and barbershop repertoire, and another which takes them into more classical choral territory.

This is a great plan, from several perspectives. From a choir development perspective, it gives a purpose and structure to a project to learn music you might not otherwise engage with, offering a defined performance occasion which offers feedback and the opportunity to hear the performances of others who sing this same kind of music. From a sense-of-occasion perspective, it makes more use of the time and expense of the trip and makes you feel you’ve participated fully in the event, not just popped in for a visit.

Raising the Game with Amersham A Cappella

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One of the many things I love about my life is the opportunity to both arrange for and coach skilled and up-for-it ensembles. I mentioned my recent arrangement for Amersham A Cappella that they performed at BABS Convention recently when I was reflecting on the quality of lit-up-ness. When I went down to see them on Tuesday to work with them on another new chart, this one destined for the European Convention in October, that excitement was evident again.

(I am sure I have mentioned before how excited I am about the range of new arrangements LABBS choruses will be showcasing to our European visitors this autumn. As well as the four of mine due for premiere, I know of one by Debi Cox and two by Heather Lane due to be unveiled – though all I know about the last two is that they exist. It’s going to be a long contest, but it’s not going to be dull!)

Belles of Three Sessions

Working on back width...Working on back width...I had an action-packed day on Saturday with the Belles of Three Spires, with three quite different types of coaching activity.

We started off with the kind of music coaching you’d expect as a matter of course at this stage of the rehearsal calendar. They are learning a new (to them) song to take to contest in the autumn, and I was there to help them bring out the musical shape and expressive detail.

They had asked me to come and work with them in particular because it happened to be one of my arrangements, but, interestingly, the coaching process is much the same as it is when I coach other people’s music. It’s still a process of identifying the role of various musical features in the overall narrative, to help the singers bring out texture and meaning. It’s just slightly more efficient, since for the parts where I think, ‘What’s going on there then?’ I have a pretty good idea already.

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