On Finding the Layers in Our Music: Part 1

I had an interesting question by email recently from a barbershop director about how to go about deepening her chorus’s interpretation of a song. It came out of some feedback from Convention judges, who had considered their interpretation to be somewhat simplistic at times, and advising them to develop it by exploring the song’s layers. The director was finding it hard to know exactly what to do in response, saying:

As a song we'd sung for so long, we'd got to a point where we were all confident in our own interp, so I'm not sure any of us will have any new ideas as we felt our interp was appropriate. Yes we can get a coach into work on it and breathe new life into it, but I do worry that will simply upset the chorus that we have a version we like.

Chorus and Director Coaching with Surrey Harmony

Surrey Harmony Jun25

Wednesday took me down to Coulsdon to see my friends at . I last visited them just as we were coming out of covid, and I have very fond memories of the joy of being able to get back to coaching again with them. Since then they have had a change of director, and their new one, Penny, is by chance someone I had previously known through the Association of British Choral Directors.

Our remit on this occasion was to help the director with her musical leadership skills to develop her effectiveness in rehearsal. Part of this involved mediating between the classical choral experience she brings with her and the barbershop heritage of the chorus. There is a good deal of common ground in the praxis of the two genres, but there are also differences that one doesn’t always realise are there until you find yourself in the middle of a miscommunication. This was a journey I travelled myself nearly 30 years ago, and it informed the research questions of both my books, so it was a question I felt I understood well.

Directing a Barbershop Chorus: A Beginner’s Guide

Our MDs of the futureOur MDs of the future

Last year’s joint LABBS/BABS Directors Weekend had such large numbers of delegates that we had no room to accommodate, or indeed to meet the needs of, aspiring directors of tomorrow. So I promised that we would do something specifically for them in 2025, and it happened on Saturday.

The day was modelled on the introductory one-day courses I run periodically for the Association of British Choral Directors, but tailored to the needs of this one choral genre. So, the morning had class sessions on various aspects of the MD’s role, including tuition on the fundamental elements of conducting technique, while the afternoon was spent doing practical work, with each delegate taking it in turns to direct the rest in song and receiving individual coaching.

Spring Bank Holiday Weekend, New Version

Friday night at Birmingham PrideFriday night at Birmingham Pride

Well over half the Spring bank holiday weekends in my entire life have been spent at the British Association of Barbershop Singers Annual Convention. This year was the first of a new shape to the weekend, as it is also the weekend of Birmingham Pride which is a major fixture in Rainbow Voices’ calendar. Hence I spent the Friday night with them performing on the big stage at Pride, before heading down to Bournemouth to catch just the final day of the Convention.

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