Some time in the early part of the millennium, around when I was writing my first book, my then boss asked me what were the new and happening things in the world of barbershop. The question entertained me, as I had been in the midst of documenting the ways in which the genre has been built on an aesthetic of nostalgia. The slogan ‘Keep it Barbershop’ (and the identity label derived from it: KIBBERs), which was still in some currency at that time, was about the resolute resistance to innovation.
It is hard to put your finger on exactly the moment it changed (Michigan Jake? Team OC Times + Aaron Dale? Westminster Chorus?), but the last decade and a half has seen not only a good deal of innovation, but also a cultural shift to a world in which the new is greeted with excitement. The seeds were planted in the early 1990s with changes to the judging system that allowed a greater range of repertoire and arranging techniques, but it has taken nigh on a quarter-century to change people’s felt experience in relation to the defined boundaries. Back in 2005, when I wrote my article on ‘Cool Charts or Barbertrash?’, this was still a very active area of contention.