September 2021

On Painting with a Limited Palate

Culinary metaphors appear frequently in both my coaching and my writing about music. It’s a relatable sphere of experience – everyone has experience of eating – and I enjoy cooking as a creative endeavour in its own right.

A recent bout of covid has got me thinking about cooking as a compositional metaphor in a new way. A week after my symptoms first started that my sense of smell went on the wonk. It didn’t stop me cooking – we still needed to eat, after all, and when you’re stuck at home self-isolating, cooking is a good way to pass the time, as everyone discovered last year in lockdown.

But creating and consuming meals without the olfactory dimension is a very different experience from usual. For one thing, it made me notice anew how much I navigate my way round the kitchen by smell: judging spicing levels, gauging doneness. Now I have to work by theory rather than by feel: how much ginger would you expect a recipe to specify for this quantity?; how long should this take to cook?

Will it Shop?

My title is the name of an education session to be presented by the Nordic barbershop organisations in a week or two’s time, pre-recorded at the weekend. For those outside the barbershop bubble, this rather cryptic-looking question is shorthand for: ‘does this song lend itself readily to being arranged in a way that will meet the style criteria for barbershop contest?’ The fact that this quite specialised and complex question can be reduced down to three syllables tells you that it is a subject that often comes up in barbershop conversations.

I’m not going to tell you much detail about the content of the session, because you can go and sign up and get that directly, but I wanted to mull a bit about a few observations I made en route.

Stepping off the Treadmill…

Despite having left full-time work in academia in 2009, I still experience September as a moment for fresh starts. And this year I have come back from my summer holiday to find the surprising thought that I would like to relinquish the discipline I have maintained for nearly 13 years of publishing a blog post every four or five days.

There are a number of interrelated reasons for this, all to do with how this blog interacts with my lived experience.

It has always been the place where I process discoveries, and clarify to myself what I have learned from my various musical adventures. And I am at a moment when I suddenly find I’m not having the intensity of new experiences to generate the regular need to write. Whilst I am – thankfully! – now getting regular opportunities for in-person musicking with my own chorus, the other groups I'd normally work with as a visiting coach are mostly likewise at the point of restarting live rehearsing, so they’re neither quite yet ready for in-person coaching nor wanting to spend time with me on zoom.

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I'm spending 2017 getting to know some of the music by women that was missing from my education.

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